By Rachel White
Entire
contents are copyright © 2012 Rachel White. All rights reserved.
Jeremy Kisling of Lexington Children's Theatre. Photo by Keith Waits. |
The American Alliance for Theatre and Education
(AATE) Conference, an organization that brings together theater educators and
artists from all over the country, came to Lexington this year and was hosted
by Kentucky’s very own Lexington Children’s Theater (LCT). Lexington is the smallest city ever to host
the conference, and the challenges of putting together such a big event are
obvious. However, Jeremy Kisling, Associate Artistic Director of LCT, was
excited about bringing new artistic blood to Kentucky, even if it took him a
moment to warm to the idea.
“I ran away screaming for the first ten to fifteen
minutes and then I came back and I said, ‘I would love to do this because it
would be an honor to bring other theater artists Kentucky.’”
Kisling assembled his team and set to work laying
out the groundwork for the conference, deciding whom to invite and what kinds
of issues would be important to cover.
Regarding the issues that face many teens and kids
today, Kisling was especially concerned with the amount of bullying going on in
schools. Along with the AATE and Theatre for Young Audiences (TYA), he
developed Dramatic Change: An Anti-Bullying Initiative Pre-Conference. Among
the presenters was Louisville’s Looking for Lilith.
Lunch time raffles at the AATE conference. Photo by Keith Waits. |
The idea began when AATE and TYA got together to
discuss just how much bullying was going on in schools and the effect it was
having on young people. According to Kisling, “We realized bullying was
everywhere.”
Kisling was excited to get kids involved in these
kinds of issues and found that they were eager to talk about them. He found
that bullying, teen suicide and GLBT issues are of deep concern to teens. Using
drama to address these concerns is a major focus of many of the workshops at
the conference.
Other areas of the conference focus on integrating
the arts into the traditional curriculum, utilizing Primary Resources to
Connect Drama, Visual Arts and Social Studies focused on the role that the arts
can play in a social studies curriculum. This was hosted by Jeff Jamner of The Kentucky
Center for the Arts and Jane Dewey of the Danville Independent School District.
In one technique called tableaux, the students are given a photograph or
painting depicting a historical event and are asked to physically place
themselves in the position of the characters of the picture. By physically
imitating the historical images, the students engage both physically and
emotionally with the subject matter, which allows them to become more deeply
engaged in the subjects presented in the classroom. The panel demonstrated how
theater and the arts can enliven a classroom by making historical events
immediate, relevant and exciting.
Other notable workshops included From Selection to
Performance: The Production Processes of Young Playwrights Festivals hosted by
Nicole Lorenzetti of Young Playwrights, Inc. Young Playwrights hails from New
York City and was founded by Stephen Sondheim. The goal of the company is to
provide Off-Broadway productions to playwrights 18 and under. Lorenzetti is an
enthusiastic advocate for young writers and emphasized the importance of
treating young playwrights as real writers.
Young Playwrights pays their writers a small stipend and provides each
writer with a dramaturge to support the writer through the production process. The
goal is to encourage kids to be creative and to respect themselves as artists,
themes echoed throughout the conference.
When I suggest that LCT is a small organization
taking on a huge national conference, Kisling is quick to point out that LCT
may not be as small as you think. “We have 12 full-time staff members and we
have an 18-member intern company. We are probably the largest theater outside
of Louisville. A lot of people don’t really get that we are as big as we
are.”
His message is clear: Don’t underestimate us; we
can handle it.
Kisling’s biggest and most surprising needs were
technical: “The audio visual needs of a conference were a mega challenge because
there are 110 presentations total, and of those we probably have 85 or more
that have need for a projector or computer. So it’s fascinating to me that as
theater people, the audio visual needs of a conference can really get
overwhelming.”
Overall, the experience of the conference is a busy
array of rooms and panels, and people talking about theater, playwriting, kids and
acting. It is a warm environment, one in which to ask questions and raise
concerns, and to figure out how to be more creative, how to reach these kids
with the art form that we love: theater. A small, intimate city like Lexington
is a great place for this kind of dialogue to happen.
As Kisling says, “What I love about bringing new
people in is we have so many great organizations here, and they are doing great
work, but we’re not a big city. In Lexington, people feel relaxed, they feel at
home, and it allows us to relax and focus on what we need to focus on.”
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