Interviewed by Rachel White
Entire contents are copyright ©2012 Rachel
White. All rights reserved.
Published in conjunction with Pure Uncut Candy magazine.
The Tim Faulkner Gallery has changed locations
from a small gallery in Nulu to a larger complex in Butchertown; this change
seems like a good one. Of course, there are still the rooms filled with wall-to-wall
art, but there are also artists living and working within the complex. The upstairs
houses the art gallery with its colorful walls, spilling out paintings and
sculptures. Downstairs includes several
small arts-related businesses, including the art magazine Pure Uncut Candy, and Matt Anthony’s Record Shop. Other stores and
artist studios inhabit the rest of the space. The situation makes for a
creative community, like a small arts colony in Butchertown. Working within the
complex is DJ and artist Matt Anthony, the owner of Matt Anthony’s Record Shop.
I sat down with Matt in his record store, which Matt thinks of as an art
project in itself. It is, of course, filled with records; but his paintings and
drawings decorate the walls of the store.
Arts-Louisville: How did you get your start as an artist
and a DJ?
Matt
Anthony: I was a military brat ,and when I was a kid (my family) was
stationed in Italy. They had one American store on the base and they’d get one
new CD of each new artist, so I would make sure that I was the first one to get
it. I had all the music on the base, so I started DJ-ing.
By Matt Anthony. |
AL: What about drawing?
MA: I moved around a ton as a kid and there were lots
of times where I wouldn’t know a soul. I spent a lot of time by myself drawing.
I really got into graffiti as a kid too, just being so much into hip-hop. That
was the first art movement that I identified with. I was also into comic books.
I would copy comic book pages and eventually I could copy it just like the
artist in the comic book, which made me realize I needed to figure out my
style. When I got older and went to art school, I discovered Van Gogh and all
the classical guys like Da Vinci.
AL: What musical artists attracted you?
MA: It
was the late eighties, so DJ Premier, De La Soul, A Tribe Called Quest, all of
the arty intelligent hip-hop.
|
AL: Did traveling around affect your
style?
MA: Because we traveled around so much, I
never had any blind loyalties to anything. I didn’t have to like East Coast rap;
I wasn’t from the country, so I didn’t have to like country music. To quote
George Michael, it let me “listen without prejudice.” My radio show showcases
everything from around the world. I travel a lot too, and pick up music wherever
I travel.
AL: After gathering everything you
could, you went to a formal art school in San Francisco. How was that?
MA: I loved art school. My skills just
skyrocketed there. Of the two schools of art, the abstract (I’m going to
express my feelings); and the other side, which is technique. I’m definitely
more of a technique guy. I give it up to Thomas Kinkaid, even though his stuff
tends to be pretty bland. The best artists give both. In school, I was learning
sculpting, and then I discovered oils and oils became my love. If I’m going to
paint, I paint with oils.
|
AL: Did that experience change your
style?
MA: Yeah, I had all these ideas that I
wanted to accomplish. And once I got the techniques behind me, I realized that I’m
only limited by my mind. My ideas come from wacky, wacky places.
AL: What kind of wacky places?
MA: My last big piece was a Mayan
Oppression piece. I was a history major, so I’m big into history and I just got
absorbed into Mayan culture. That’s when I decided to do a Mayan pinup
painting. I’m doing a whole Latin American series. I also got way into Posada –
the dancing with the dead – just stunning imagery.
|
AL: How would you describe your style?
MA: I go for eye candy – that’s my whole thing. I don’t
want to get people down, and even my deep pieces that were done after my grandparents
died reflect that. I wanted to dance them into the other world. In the
painting, my grandmother is behind an agave tequila plant. The painting is
about sending them off to the next realm in style – in fashion – so we’re going
to get you some tequila and dance you off. That’s my darkest piece and it’s
still really light and fun.
AL: Dancing and music feature in your paintings a lot. Is there a
connection between DJ-ing and painting for you?
MA: I painted a mermaid at Forecastle
recently and I also painted a pirate. I know when I showed up it was 6 p.m.,
and then when suddenly I stopped it was 9 p.m. DJ-ing is a lot like that; there’s
a crowd in front of me and I’m working and going and then all of a sudden the
bar tender is telling me “last call.” You’re so much in the process, and that’s
why I love it. It’s a meditation. My goal is to keep them dancing. Also, with
DJ-ing, it’s playing what people want to hear next – even before they know. When
I’m painting, though, I’m thinking about what I like. Good DJs are attuned to
the audience and are paying attention, and good artists usually have to trust
their aesthetics.
AL: How do you like Louisville?
MA: I love it. When I moved here, things
like Forecastle weren’t here. All these things are driven by individuals. It’s
these special people here who, A, are
talented; and, B, are given the
opportunity. I know it’s the slogan, but it’s possibility city – it really is. The
rent is low enough – if you work hard enough, you can be a starving artist. You
can’t be a starving artist in San Francisco or New York; you work all the time
waiting tables or doing retail and you paint or DJ in your spare time. Here,
you might not have an island, you might not have the biggest spread in the
world, but you can at least live – you can at least practice.
.
AL: Where are you working now?
MA: The store (SoundClash Records in the
Tim Faulkner Gallery Complex) is my big project now. We’re all artists here, so
we all see the whole space as a big art project. All my energy right now is
going toward this. I also have Wednesday Night Soul Club at Meat, which we’re
just starting to push. That’s starting in two weeks, so that’s my new DJ
project. We’re playing soul, and the
people are there because they want to hear soul. They are going to hear me do
what I do. Another big interest for me is Butchertown. I’ve fallen in love with
Butchertown. This is what I do with DJ-ing: take the best from the past and
reinterpret it for the future.
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