Living Dead in Denmark
Written by Qui Nguyen
Directed and Choreographed by Tony Smith
Reviewed by Keith Waits
Entire contents are copyright © 2012, Keith Waits. All rights reserved.
Since it is inherent in any zombie scenario that the nasty undead
creatures have more or less taken over the world, then I suppose it follows
that there is no classic literature or historical period that can be truly
exempt from the specter of zombie apocalypse adaptation. Jane Austen has been given such
treatment, and now William Shakespeare has been infected.
Shakespeare gets messed about fairly often, typically by changing the
setting, but playwright Qui Nguyen uses famous characters from several of the
immortal Bard’s plays in a unique take on the zombie dynamic that forsakes many
of the clichés we associate with horror film zombies. His version of the
flesh-eating creatures seem more like vampires in that they are undead who
exist in a fashion similar enough to the living that it is possible that some of the characters are slow to
realize that they are, in fact, deceased.
The setting is Denmark, in and around Elsinore, five years after the
events depicted in Hamlet. A triumvirate of Ophelia, Juliet and Lady Macbeth
encounter Fortinbras, who is forming a resistance to the zombie hordes who seem
to have the upper hand. Many vigorous and well-staged scenes of combat dominate
the action, but the script is surprisingly clever and ingenious in establishing
a larger conflict between ordinary humans and the supernatural characters from Shakespeare,
so that Titania, Oberon, Puck and Caliban are allied with the undead in a power
struggle with a mysterious cloaked figure. That there is genuine mystery to be
found in a story using such familiar characters and settings is a testament to
the quality of the text.
I do wish the spare production design had been slightly more fleshed
out. It is material that seems designed to spark an enterprising designer’s
imagination, but it seems churlish to focus on such limitations when the
playing is this good. The action is led by a lost and searching Ophelia, played
with sexy charm by Madeleine Dee in a lacy black dress that challenges some of
her more dynamic fighting moves. As her companions, Lady Macbeth and Juliet,
April Singer brings edge and bravado to the former, while Chelsea Skalski
carefully essays an awkward and introverted version of the latter. Both are
kick-ass fighters. Scott Goodman
and Chris Petty prove adept utility men in multiple roles, including a
Rosencrantz and Guildenstern unlike any you’ve ever witnessed in any production
of either Hamlet or the Tom Stoppard classic. It should also be noted that Mr.
Goodman knows how to play a death scene.
Ben Unwin is a fetching Titania in a green gown set off by a red wig,
and Joey Arena makes for a good and villainous Fortinbras. Director Tony Smith
does double duty as Horatio, a stalwart good guy performance that is probably
the least interesting character overall. And Todd Zeigler is Hamlet in a very
good performance that, due to the machinations of the plot, is difficult to
discuss without giving something away. Suffice it to say that his work not only
holds the center but lifts the level of performance in an important way that
helps a good production become something more.
Although there is some effective music, I also would not have minded
hearing a more active score that tended toward hard, edgy rock played loudly.
This is material that calls for a high energy presentation and, as good as it
is, could have been that much better with a little harder push. Yet, it is
important to remember that this sort of show is a specialty of The Alley
Theater and cannot be found on any other local stage.
Living Dead in Denmark
Fridays and Saturdays, November 30 - December 15 at 7:30 p.m.
Sunday, December 9 at 2 p.m.
Tickets: $18 advance; $16 advance for students, seniors and military
$20 and $18 day of show
Box office: 502-713-6178
All seats $10
Sunday, December 9 at 2 p.m.
Tickets: $18 advance; $16 advance for students, seniors and military
$20 and $18 day of show
Box office: 502-713-6178
All seats $10
The Alley Theater
1210 Franklin Street
Louisville, KY 40206
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