Susan McNeeese-Lynch & Roger Fristore in The Lion in Winter. Photo courtesy of Actor's Choice. |
The Lion
in Winter
By James Goldman
Directed by Kathi E.B. Ellis
Review by Rachel White
Entire
contents are copyright © 2012 Rachel White. All rights reserved.
My first impression of the Actor's Choice production
of The Lion in Winter was how
domestic and modern it feels even though it is set in the 12th century. There is a naturalness, a
private way, in which the characters relate to one another that makes it feel
real and present. The actors, who are
playing characters who are extremely powerful, manage to find all of the
subtle human qualities that make them interesting, creating people who are at
one moment temperamental, at other moments loving, and at others completely self-centered.
The play centers on King Henry II (Roger Fristoe), whose three sons are vying for his throne. Henry wants to give the throne to his somewhat dimwitted son
John (Denny Grinar), while Eleanor of Aquatain, his wife, wants to give it to
their son Richard (Tim Kitchen). Thus the conflict begins. King Henry, of the all of the
characters, is the most ego-centric, and in a way this makes him the most
vulnerable. He wants what’s best
for his family, but he is also a slave to his own emotions. He does what moves
him and often ignores practicality. Fristoe as King Henry is so cheerfully narcissistic and charming that I
was surprised to hear about the king’s brutality (he has locked up his wife for
ten years). Fristoe plays Henry
with a real pomp that only breaks down when he disowns his sons. I wanted to see more of that darkness
in Henry. I kept thinking that
there is something even in this seasoned king that must be dangerous – something
out of control just beneath the surface.
Susan McNeese Lynch plays Henry’s wife, Eleanor of Aquitaine, and she is the perfect contrast to Henry, who is more emotional but probably
not as smart. She is conniving,
though I identified with her desire for freedom. Lynch’s performance was lovely; she let loose every barb
with cheer. The sparring scenes
between Fristoe and Lynch were the most intense of the play; and when the two
were together on stage, I found myself completely locked in. Lynch plays the queen with all her
spirited haughtiness and unwavering audacity. She delivers every line with sugar and humor and a little
bit of pain.
The relationship between Alais (Dawn Schulz) and
Henry was also layered, and it was interesting to watch the change in physical
chemistry between Henry and Alais and Henry and Eleanor. There is a scene where Alais demands
that Henry kill all of his sons before she will agree to marry him. Schulz moves easily from the sweet
innocent to the calculating queen. Henry loses his temper and puts on a display to show that he has the
upper hand, but in the end Alais wins.
The production itself hints at the medieval world without
ever going over the top. A darkly
lit set indicates the darkness of the age, a few evergreen branches say
Christmas, and simple costumes create a sense of the era. That the play takes place during Christmas
adds to the drama and irony of it all.
Then, there is that final scene where Henry and
Eleanor have made a kind of truce. Eleanor is about to be locked up again, and the two share a touch and a
moment of affection. It was here
that I realized what the play is about: at its core, it’s about heartbreak of
family life and the disappointment of a marriage and a love that hasn’t worked
out. The subtle tenderness the
actors display at the end of the play is a testament to the talent of the
actors and director, who can make you think the play is about one thing, and then
pull it in another direction to make you realize that it’s about something
different – something a little closer to home.
Actor's Choice presents James Goldman's The Lion in Winter
The Henry Clay Theatre
604 S. 3rd St.
Louisville, KY 40202
Performances: August 30-31; September 1, 6-8 at 7:30 p.m.
September 9 at 2:30 p.m.
Tickets $21, $18 for students/seniors
Reservations at 502-495-8358
Reservations at 502-495-8358
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