Monday, June 24, 2013

“Reasons To Be Pretty” and the Ugly Truth About Relationships

Chris Petty and Megan Marie Brown  in
Reasons To Be Pretty. Photo – The Bard's Town.


 
Reasons To Be Pretty

By Neil LaBute

Directed by Doug Schutte

Review by Rachel White

Entire contents are copyright ©2013 Rachel White. All rights reserved.

Reasons to Be Pretty opens on a shouting match between two lovers: Greg (Doug Schutte) and Stephanie (Cara McHugh), his girlfriend. The play, written by Neil LaBute, uses highly-realistic dialogue to capture the out-of-control nature of arguments like these and of relationships in general. It’s not a typical theater fight you’ll witness, or a carefully drawn comical sitcom fight; it is a drag-out fistfight with words, and the actors pull it off in a way that feels authentic. Emotional arguments between humans that involve hurt feelings can be ugly things. They don’t contain a nice climax and resolution, they don’t wax poetic or philosophical, and sometimes the “F” bomb suffices when there is nothing left to be said. In this case, the fight goes on and on, getting louder, twisting and turning, while the characters involved cling onto any mean hurtful barb they can reach. It’s a true jolt of an opening for a play. There is no beginning to this argument; it’s as though we happen in on the middle of it, like watching it through an apartment window and trying to piece together what has happened.

What we learn through the snatches of information, amid the snarling, is that Stephanie has heard from a friend that Greg has said something negative about the way she looks, implying that she is not as pretty as other girls. It was a stupid comment, but it is something that Stephanie takes as a personal assault. In her view Greg, of all people, is supposed to see her as beautiful, and if he doesn’t, what is left between them? What Greg views as stupid and offhand, Stephanie sees as unforgivable. Greg will spend the rest of the play kicking himself in a story that tries to grapple with the problem of beauty and what it means in the context of a relationship. 

From there, the play loses some of that authenticity. It pushes to be a little more philosophical at the expense of some character and plot development.  We meet the couple’s friends: Kent (Chris Petty), a mean spirited chauvinist; and his very pretty girl friend, Carly (Megan Brown). Kent seems almost too mean to be realistic and their relationship feels sketchy in some places. I also feel like the author lets Greg off a little easy, as though his biggest flaw was his occasional obliviousness. And maybe it’s my melancholy heart, but he seemed a bit too satisfied with how things turned out at the end; I didn’t quite buy it. This seems more of a writer issue than an actor issue. At the same time, the structure of the piece captures the tumult of a relationship at its end in a way that rings true.   There is one scene where Steph and Greg meet again accidentally. What begins in friendly awkwardness escalates into full-out violence. Stephanie literally hits Greg in the face and then immediately apologizes, horrified by her own lack of control. 

The acting is really what pulls you in with this piece. With less able performers, the play might have descended into screaming and cursing. But there is realism in the fights and a real pain underneath the words that the performers are aware of. Schutte is completely believable as the somewhat hapless Greg, who despite having a nice heart just can’t say the right thing. McHugh, with her utterly unchecked aggression, is ferocious as Stephanie; and when she is in a scene, nothing is off the table. Brown and Petty also deliver spirited emotional performances. The actors find what is original and dangerous about this work, exploring the damage ordinary people can inflict on one another.

Reasons To Be Pretty
June 20-23, 27-29 (All shows at 7:30 p.m.)
1801 Bardstown Road
Louisville, KY 40206
502-749-5275
$15 ($12 for students and seniors)
Reserve tickets at thebardstown.com


   





Sunday, June 23, 2013

Theatre Review: "Twelfth Night"


Ian Kramer, Matt Lytle, Bentley Rhodes, John Wagner Givens
and Peter Riopelle in Twelfth Night. Photo – Kentucky Shakespeare
.

Twelfth Night

By William Shakespeare
Presented by Kentucky Shakespeare
Directed by Brantley Dunaway
Reviewed by Keith Waits

Entire contents are copyright ©2013 Keith Waits. All rights reserved.

It begins with the set. Brilliantly conceived by Jeffrey D. Kmiec, it is a splendid multi-level design that blends elements representing the man-made and nature in harmonious balance and features a waterfall center stage. It is a stage built for an expansive staging; and, for the most part, that is exactly what is delivered in this Twelfth Night.

The story of Viola and Sebastian, separated after a shipwreck in the country of Illyria, and Viola’s gender-crossing masquerade as Cesario has long been a favorite among Shakespeare’s comedies. The situation of a woman pretending to be a man and mistaken placement of romantic affections are common enough in his plays, yet their positioning within this plot provides an especially good opportunity to investigate the nature of attraction and how it may subvert our planned desires for something altogether unexpected. As the resolution plays out in the final scenes, true love may be present, but so is the breakdown of vanity and proof that the heart can be fickle and easily tricked in cruel fashion.

Brantley Dunaway’s production employs a Celtic theme for its setting, which makes for handsome design (although Orsino’s too-much-like-a-tunic costume was annoying and stood apart from the rest of the, mostly, striking costumes) and invites a hodge-podge of accents. But the playing was sound and sometimes more so. Madison Dunaway is a winsome and intelligent Viola, and Rosie Ward as Olivia, John Pasha as Orsino and Kyle Curry as Sebastian are all worthy and effective. Yet the lovers' stories never seem quite as inspired as the work of the characters central to the comedy.

Brad Fraizer is a wonderful Sir Andrew Aguecheek – a true clown in the richest sense, who can riddle each line with delicate comic nuance and bring the slapstick in great measure. He is ably supported by Paul Kiernan as Sir Toby Belch, whose work is very nearly the match of his partner in crime. Matt Lytle’s Fabian and Amy Barrick’s Maria contribute meaningful complement to two more showcased roles.

The character of Feste, the jester to Orsinos’s court, sings in the story; and the songs are perhaps given a larger role than in most productions, with five skilled musicians and a good vocalist to deliver them in Peter Riopelle. Familiar to local audiences from productions of 1776 and Guys and Dolls at Music Theatre Louisville, the musical theatre veteran is a wise choice not only for his singing abilities but because he is a fine comic actor as well. The songs interject a wistful note into the farce, and Mr. Riopelle’s delivery is plaintive yet memorable.

Twelfth Night also contains one of the most sought-after roles in Shakespeare: Olivia’s servant, Malvolio. Jonathan Visser makes a vivid impression, tall, lanky and topped with a shock of ginger hair. He underplays at first, allowing his physical presence to fully register as he builds a foundation for the character. As the plot thickens and he is greatly abused by a scheme to embarrass him, Mr. Visser fleshes out Malvolio’s suffering as certainly as he manages the most confident accent of the evening – a smart and potent mixture of comedy and pathos.

Malvolio’s scene in which he reads the letter wherein he comes to believe Olivia is professing love for him takes the fullest advantage of Mr. Kmiec’s wonderful stage, as Aguecheek, Toby and Fabian maneuver through every conceivable nook, cranny, platform, staircase and balcony perch so that the hapless Malvolio seems to be unconsciously chasing them up to the last refuge before exiting the stage.

The language is clear; the pace and tone give the story room to breathe; and as the sun sets and the lighting brings the production and the play into focus, this must be counted as a success for Kentucky Shakespeare.


Twelfth Night

June 18-July 18 (except Mondays)
Pre-show 7 p.m., Curtain at 8:30 p.m.
Kentucky Shakespeare presents Shakespeare in The Park
1340 South 4th Street
Louisville, KY 40208
Free to the public (donations encouraged) V.I.P seating available

Friday, June 21, 2013

Pandora’s “5 Lesbians” Is Fast, Funny & Wholly Outrageous




5 Lesbians Eating a Quiche

By Evan Linder & Andrew Hobgood
Directed by Lucas Adams

Reviewed by Keith Waits

Entire contents are copyright © 2013, Keith Waits.  All rights reserved.

Double entendre hatersd beware! This fast, funny and wholly outrageous comedy is so overstuffed with such jokes that for a good while you can’t take a single line at face value. In 1956 a group of women, widows who are members of “The Susan B. Anthony of Sisters of Gertrude Stein,” have met for their annual quiche breakfast in what turns about to be nothing less than a bomb shelter. As the five officers – Lulie (Jennifer Pennington), Dale (Lauren McCombs), Wren (Katie Nuss), Vern (Lauren Argo) and Ginny (Laura Ellis) – make their introductions, we learn of the quirky fascination with eating quiche and the veneration of the egg that defines the group. If you cannot understand what is really going on here, well…you most likely would not find yourself attending a Pandora show in the first place.

The rapid pace sweeps the one-act past so that it is almost over too soon, yet it also seems to land at just the right length. This material is so heightened in its tone and played in appropriately broad measures; but it is also highly economical in how it accomplishes its goals. There is very little redundancy, and it credits the audience with being able to keep up. It makes an interesting companion to The Temperamentals, a play featured in a previous Pandora season.  Although it is as facetious as that play was earnest, it shares a period setting and similar concerns about the difficulty of life as a gay American during the Eisenhower years and beyond. But where The Temperamentals explored real historical events, 5 Lesbians Eating a Quiche is purely fantastical and over-the-top funny.

The five-member cast takes no prisoners in its ferocious approach. Lauren McCombs is the highlight as Dale; and this actress, known for her high-energy comic performances, is right on target here. Lauren Argo reveals the dominatrix within Vern with a laser focus and intensity. Laura Ellis waits to steal the spotlight as Ginny, but when her moment comes, she seizes it with a perfectly played piece of physical comedy that is THE big payoff of the mounting tide of double entendre. Jennifer Pennington and Katie Nuss play characters who seem slightly more grounded in reality, with some welcome subtlety to balance the high jinks. When the play momentarily turns to pathos, it is carefully judged in the writing and beautifully rendered in the playing. Director Lucas Adams pitches the production in unapologetically broad fashion. Yet it is not entirely without nuance, and it feels right.

Karl Anderson provides a period-appropriate set that avoids kitsch, and the costumes by Donna Lawrence-Downs walk the same line with style. There is no credit for hairstyles, so we must assume that the cast are primarily responsible for the effectively expressive period hairdos.

Audience members are asked to don name tags featuring a variety of women’s names so that they are engaged beyond the obvious laugh-filled script, and this is easily one of the most accessible Pandora shows of late and one not likely to disappoint. A bright and breezy way to end their season.

5 Lesbians Eating a Quiche

June 20, 21, 22, 27, 28, & 29 at 7:30 p.m.
June 23 & 30 at 5:30 p.m. & June 29 at 2 p.m.

Pandora Productions
at the Henry Clay Theatre
604 S. Third St.
Louisville, KY 40202
(502) 216-5502

Thursday, June 20, 2013

17 Questions for Lucas Adams


Lucas Adams.

By Brian Walker
Entire contents are copyright © 2013, Brian Walker. All rights reserved.

Lucas Adams is one of the nicest guys doing theatre in Louisville. Right now, he’s spending his days raising money for StageOne and his nights directing women to be lesbians with an affinity for quiche. He’s known for his infectious smile and his signature bow ties, and the play he’s directed for Pandora Productions, 5 Lesbians Eating A Quiche, opens this week.
Brian Walker:  Mr. Adams, be my next victim for 17 Questions! I'd love to profile you and what's going on with you in Louisville…if you're willing?

Lucas Adams:  I would love to!!!!

BW:  Awesome!  Here we go!  Number 1:  You work at StageOne. What's your official title and what all does your job entail?

LA:  I am the Associate Director of Development. I work to raise money for the company through grant writing and working with individual donors to support our mission and programming.

BW:  Number 2:  If you had to pick something, what would you say is your favorite thing about working at StageOne?

LA:  The kiddos! Every donor who gives is giving so a child can experience arts education; every show we do helps our kiddos experience the world around them with new eyes. I love it!

BW:  Number 3:  And I just saw you in the Courier-Journal last week smiling and dancing, and the kids around you looked completely enthralled. Such a great shot! But what was going on there?

LA:  In addition to my other work, I am the Chairman of Kindergarten Countdown here in Louisville. Kindergarten Countdown is a city-wide initiative to help prepare students and families to be ready to start learning on the first day of school. Organizations throughout the city hold learning events during the summer that students and families can participate in, Only 35 percent of rising JCPS kindergartners were actually ready to start school last year. We are working to help make increase that number. I was honored to be asked to be a part of the kick-off press conference with Mayor Fischer and other community leaders. Those little ones in that photo were there to help us kick it off in style!

BW:  Wow, that’s very cool!  Number 4:  You're directing Pandora's season closer, 5 Lesbians Eating a Quiche (love the title!). What was it about the show that made you want to direct it?

LA:  This show is raunchy and messy and hilarious, yet it has so much heart and carries such an important message to its audience. I love a good comedy, and I love directing them. But if it has a deeper message, even better. If we can edify AND make laugh...awesome!


Lucas Adams directing Leah Roberts & Douglas Scott Sorenson in
The Best Christmas Pageant Ever.
BW:  Number 5:  Are you directing any productions next season?
LA:  I am. I am slated to direct Young Frankenstein at the Alley Theatre as well as Best Christmas Pageant Ever at StageOne, and another Pandora production as well.

BW:  Number 6:  If a local company would hire you to direct any play in the world, with no concern of budget, what would it be and why?

LA:  Fiddler on the Roof. It would be big and massive and so loud and beautiful. I saw a production in Stratford, Canada, that still hits me. Fiddler is about love and the fierce fight for your family. No matter what, we will always be family, dammit, and Anatevka will always be my home, and no one will ever take that away from me!

BW:  Number 7:  I've seen you onstage as well numerous times, but not lately. Are you making a conscious choice to move more towards directing? Or has it just worked out that way? 

LA:  I didn't realize it until a few months ago, but I haven't been on stage much at all since 2011. I love acting and I always will, and I still get the urge sometimes. But I adore directing and working with actors and designers. There is nothing quite like digging into a script and working with a group of people to tell a story. Also, I don't miss having to memorize lines.

BW:  Number 8:  When you’re not consumed in doing theatre, what can you more often than not be found doing? 

LA:  I love to read. I will read just about anything, though I will admit that I read a lot of comic books. I also read a great deal of children's literature. A Wrinkle in Time is my favorite book of all time.

BW:  Number 9:  What's the best book you’ve read in the last year or so? 

LA:  There is a great comic series going on right now called The Manhattan Projects by Jonathan Hickman...really amazing art and writing coming together. As for non-comic books – probably When You Reach Me by Rebecca Stead.

BW:  Number 10:  What's your go-to comfort food?  

LA:  Peanut butter and jelly and a glass of milk.

BW:  Number 11:  What advice would you give to someone looking to break into the local arts scene?

LA:  Say yes. Be the person who smiles and says yes to every role or gig you get. We are always learning, and every show is a chance to learn. Be nice...ALWAYS BE NICE!!!

BW:  Number 12:  I see you in bow ties a lot and I love it; I think they're very charming. Where did your love for the bow tie come from?

LA:  I started to see folks wearing them and really loved the style; it’s old-school and classy. My best friend gave me one for my birthday a while back, and after many you-tube videos I learned how to tie it. I love tie-wear of any kind; I love to dress up. But I love a good bow tie.

BW:  Number 13:  If you could have dinner with anyone alive in the world right now, who would it be and what would you talk about?

LA:  Stephen Adley Guirgis and Tracy Letts. These two playwrights just seem to get the theatre I like: unafraid, raw, beautifully messy stuff. I would ask Guirgis about The Last Days of Judas Iscariot and Letts about Bug.

BW:  Number 14:  What's your favorite local bar?

LA:  I love Garage Bar...there is nothing better than sitting outside with a well-made old-fashioned.

BW:  Number 15:  Who is someone who inspires you and why?

LA:  My parents...they have helped me through a great deal recently and always inspired me to work very hard for what I want. When I said I wanted to do theatre, they said, “Great! Let’s get to work!”

BW:  That's amazing!  Number 16:  I know you see a lot of local theatre too. Are there any upcoming productions next season you're really excited about seeing?

LA:  I am excited for several pieces: Theatre[502] offerings this summer look awesome, and I cant wait for Noises Off! at ATL. I LOVE THAT SHOW! I'm interested to see Wit at CenterStage; that’s a beautiful piece, as I am a big John Donne fan. Also Lear at Savage Rose.

BW:  And finally, Number 17:  What's one thing folks would be surprised to learn about you?

LA:  I HATE camping.


5 Lesbians Eating A Quiche
Directed by Lucas Adams
June 20, 21, 22, 27, 28, 29 at 7:30 p.m.; June 23 & 30 at 5:30 p.m.; and Saturday, June 29 at 2 p.m.
Pandora Productions at

The Henry Clay Theatre
604 S. 3rd St., 3rd Floor
Louisville, KY 40202

***TICKETS $18 online at www.PandoraProds.org or by phone at 502.216.5502***