Thursday, July 11, 2013

Taking His Show on the Road

Eric Welch (first row, left) with the cast and crew of the
Chicago production of Circus Circus. Photo – Craig James Jr.


Eric Welch is taking his play Circus Circus to cities en route to LA

By Carmen Marti

Entire contents are copyright © 2013, Carlos Manuel. All rights reserved.

Last July, when 29-year-old Eric Welch and his collaborators opened the play Circus Circus in Louisville, Arts-Louisville.com ran an interview with Welch about his career (July 3, 2012). Primarily an actor, Welch had co-written the dark comedy about prison life with his friend, Louisville playwright Brian Walker; Welch played the lead in the production in The MeX Theatre at the Kentucky Center for the Performing Arts, with George Bailey directing.

“To me, the thing that’s interesting about the play,” said Bailey, “is that it’s a-stereotypical.” When asked what prison was like, Eric said, “It’s like being dropped in the middle of a circus. You don’t know what’s going on. In Circus Circus, you get to see the scariness of prison, the loneliness of it, the strangeness of it – that’s the circus.”

The show repeatedly sold out the 100-seat theater over its six-show run. Typically harsh critics admonished Bailey and Welch for making them cry. The experience was a complete success.

After the Louisville run, Welch went on through the summer and fall pursuing his other endeavors – the Still Spinnin indoor cycling studio and painting houses. “I do everything to pay the bills so I can act,” he said. And by January, Welch was ready to generate more action around Circus Circus. “I was bored,” he said. But more so, he had a story itching to be told.”

The play is based on Welch’s experience going to prison for selling large amounts of marijuana; he was released from a two-year sentence in 2010 and will complete three years of parole next month. But the trim, smiling, self-proclaimed health nut is no gangster; he’d been forced to drop out of the University of Louisville because he couldn’t afford it, so he starting looking for ways to generate cash.

“I was broke,” Welch said. “Yeah, I enjoyed the weed, but I was also a businessman. There’s a business model to selling drugs. You don’t make any money selling ounces. But you work your way like a business does, and I learned.”

“That part of my life helped me honestly,” Welch continued. “It gave me confidence; it gave me the knowledge that I am smart enough. I learned how to turn 15 cents into a dollar. I learned I have a talent for making money. I can make things happen – turn things around.”

“Makes me realize I can do this acting thing,” Welch concluded. “I can do this.”

And so he is. Last January Welch got on the phone, asked some questions, found a venue in Chicago, slapped down his credit card and booked six performances for June. (“I’m impulsive,” he said.) Welch called George Bailey and asked him to direct the show again. He recruited two of the actors, Sean Childress and Robert Hatfield, from the Louisville production to go along, then auditioned and selected actors in Chicago to fill the cast. He launched a self-propelled publicity program to sell seats. And Circus Circus ran at the Den Theater in Chicago’s hip Wicker Park neighborhood from June 7 through 16.

Though Welch lost money on the Chicago show, “It was an incredible experience,” he said. “I couldn’t have asked for more.”

Except now Welch is going for more – he’s begun plans to produce Circus in Denver this fall. Almost the entire Chicago cast is going, and maybe some of the actors from Louisville. Welch will co-direct the play this time, and he’s partnering with a money man in Denver who is helping with marketing and funding. “I’ll get paid,” Welch said. “All the actors will get paid...which is the whole goal.”

Beyond that, Welch wants to get back to Los Angeles. “The show is getting bigger and better,” he said. “My goal is to make it to LA and hopefully make it into a movie.”

“This is my dream,” Welch said. “I believe if you follow your dream, it can happen.”



Kentucky Shakespeare Cancels Remaining Performances of "Twelfth Night"


Madison Dunaway in Twelfth Night. 
Photo – Kentucky Shakespeare.

By Keith Waits
Entire contents are copyright © 2013, Keith Waits.  All rights reserved.

In an announcement posted early Wednesday on its Facebook page, Kentucky Shakespeare states that all remaining performances of Twelfth Night, originally set to run through July 14, have been cancelled.
Patrons who arrived at Central Park Tuesday evening were disappointed to find there would be no performance, and a Facebook posting that night around 7 p.m. stated that the abrupt cancellation that night was "due to a personal emergency with a cast member...." The following morning's posting did not elaborate on the reason for shortening the run, but did emphasize that The Players production of Taming of the Shrew and the scheduled Movie Mondays would continue.
Speculation that there is more here than meets the eye runs rampant within the arts community since the announcement, and no more detailed official statement has been forthcoming from Kentucky Shakespeare. The lack of understudies for the lead roles has been explained as the result of a severe budget restrictions. Yet the cancellation of six performances ending a month-long run is highly unusual.
This disruption is particularly unfortunate, coming as it does after a difficult off-season in which the Kentucky Shakespeare Board of Directors struggled to secure funding for the current summer programming. Several individual donors stepped in to ensure the 2013 season would be fully realized.
We will update this story as more information becomes available.

Tuesday, July 9, 2013

The Stranger and Ludlow Quinn, Chapter Two: Bonnie Burke Finds A Book

Becca Willenbrink in The Stranger and Ludlow Quinn
Chapter Two: Bonnie Finds A Book
. Photo – Theatre 502.


Written by Diane Grisanti and Steve Moulds
Directed by Gil Reyes

By Keith Waits
Entire contents copyright 2013 by Keith Waits, all rights reserved.

In its second chapter, The Stranger and Ludlow Quinn resides in the modern day, where Chapter One so intriguingly deposited us after a visit to Louisville in the early days of the 20th century. After a brief silent-film pastiche synopsis cleverly brings us up-to-date with wit and economy, the plot now concerns itself with a teenage girl (Becca Willenbrink) who has come into possession of an aged leather-bound volume written by the mysterious Ludlow Quinn. Her friend (Lexi Drexelius) is infatuated with a colorful Canadian fine art academic (Geoff Barnes), whom she hopes to impress with a sculpture that, when unveiled, spookily recreates an image from the book…even though she has never laid eyes on it.

Incredibly, more happens in the scant 15 minutes that comprises this episode, and that synopsis threatens to reveal too much. The script continues to find the necessary balance between style and substance that keeps this theatrical stunt afloat, pulling you back for more. There is magic still, and the mystery only deepens, with no answers yet offered. Yet the move to a contemporary setting only gives the story new context instead of shifting the tone. Ludlow Quinn is still with us, and the notion of a magic book connecting the different time periods seems a suitable device, rich with possibility and resonance. A book can be many things, including a conductor of supernatural powers, and the Twilight Zone quality to this installment makes The Stranger and Ludlow Quinn even more irresistible.

New chapters are scheduled to arrive on First Fridays each month, performed at 7 p.m., 8 p.m., 9 p.m. and 10 p.m. Admission is free.
The Stranger and Ludlow Quinn, Chapter Two: Bonnie Burke Finds A Book
July 5, 2013
Theatre [502]
at The Baron's Theatre
131 West Main Street
Louisville, KY 40202
Theatre502.org

Sunday, July 7, 2013

17 Questions for Kathy Chaney



By Brian Walker
Entire contents are copyright © 2013, Brian Walker. All rights reserved.

Louisville actor and choreographer Kathy Chaney is all about family, friends and performing.  She’s been teaching dance for over 30 years in various spots around town and is starring in Wayward Actors Company's upcoming production of Steel Magnolias opening at The Bard's Town on July 12.
Brian Walker:  Alright, I have some questions for you; 17 to be exact, you game?
Kathy Cheney:  I feel honored to be asked!
BW:  The honor is all mine!  Thank you for your time.  Okay, Number 1:  You’re starring in Wayward’s upcoming production of Steel Magnolias. What role are you playing, and what drew you to the project?
KC:  I am playing M'Lynn. I have always loved that play. I have seen the show many times, as my daughter Rebecca has played Annelle twice. I have always wanted to play M'Lynn, and now I get to. Yay! One role off the bucket list!
BW:  Number 2:  Are you the type of actor to stay away from the film version, or have you watched it recently?
KC:  I have looked at the movie to see what the accents were like. But I didn't watch the movie as a whole. I don't like to copy another actress’s style. I'd rather make it my own.
BWNumber 3:  What’s been your favorite part of the rehearsal process so far?
KC:  The best thing about the rehearsal process is that the women in this production are also my friends. There is already a bond between us, which makes it easier to bond as friends in the show.
BW:  Number 4:  And what about the hairdressing? How big a part of the rehearsal process has that been?
KC:  We had Lucas Meyer, who is a hairdresser, come to help the actresses playing Truvy and Annelle learn the necessary skills to do what they needed for the show. We are now off book, so we are able to do hair as part of the rehearsal process. With each rehearsal they are getting better and better.
BW:  Number 5:  Anything in particular you’re looking forward to with doing a show at The Bard’s Town?
KC:  I am especially excited to work in that space with this show. This is a show that works best in an intimate setting. That is exactly what The Bard's Town offers. It will be nice and cozy, which will work perfectly. It also doesn't hurt that The Bard's Town has excellent food.
BW:  Number 6:  Have you done other productions with Wayward?
KC:  Yes. I was Juanita in Come Back to the Five and Dime, Jimmy Dean, Jimmy Dean; Dr. Eisner in Insane with Power; Bella Lamb in Rehearsal for Murder; and Mae in Reefer Madness.
Kathy Chaney in the 2012 Wayward Actors Company
production of Reefer Madness.
BW:  Number 7:  And do you have any productions on the books for the upcoming season?
KC:  Actually I am directing and doing choreography for Wayward's next show, Halloween with Broadway's Greatest Villains, which will be at The Bard's Town in October.  I will be choreographing Willy Wonka and the Chocolate Factory for Kentucky Country Day opening in November. In February Spamalot will be performing in The MeX; I will be doing choreography for that. The last thing I have on my calendar will be in June as choreographer for Carrie, The Musical with Wayward.
BW:  Number 8:  What’s your favorite thing about acting?
KC:  My favorite thing about acting is being able to transform into someone else. You get to know this person, figure out who she is and what makes her what she is.  After that, on stage, you get to introduce her others.
BW:  Number 9:  When you’re not doing theatre, what keeps you busy?
KC:  I owned Kathy Todd Dance Studio for over thirty years. I sold it two years ago to one of my past students/teachers, Jamie Lynn Sutton Gilliam. I teach one day a week for her. I also teach part time for Kentucky Country Day adding dance into the drama curriculum and teaching after-school programs. For fun, I like to spend time with my husband and daughter and get together with my friends.
BW:  Number 10:   What’s your summer addiction?
KC:  I don't really have a summer addiction, but in the summer I always look forward to taking a family vacation. My daughter is a teacher, and I am able to spend a lot more time with her during the summer. That is always very special.
BW:  Number 11:   If you could play any role in any play, what would it be and why?
KC:  I saw the play Nunsense Off-Broadway many years ago and fell in love with it. Since then I have wanted to be one of the "Little Sisters of Hoboken." I would really like to be Sister Mary Amnesia, but I would have fun with any of the roles.
BW:  Number 12:   Have you always lived in Louisville?
KC:  I was born and raised right here in Louisville, Kentucky, and have been here all of my life.
BW:  Number 13:   What’s been your favorite role to play up to this point?
KC:  "Glinda the Good Witch." I have always loved The Wizard of Oz and I know it inside out. The thing that made this even more special is that I got to share the stage with my talented daughter, who played the role of Dorothy.
BW:  Number 14:  What advice would you give to someone looking to break into the local theatre scene?
KC:  Be willing to take small roles or be in the ensemble. Most people starting out in theatre for the first time won't get leads. The most important thing is to be a hard worker and be pleasant to work with.  In local theatre word spreads if someone is or is not easy to work with. You don't want a bad reputation preceding you to your next audition. Lastly, audition as often as possible and don't get discouraged if you are not cast.
BW:  That's all great advice!  Number 15:   Where’s your favorite place to go in Louisville?
KC:  Any place I can be with friends and family. It's not the place that's important, it's the people you are with.
BW:  Number 16:   Who is someone who inspires you and why?
KC:  There are actually two people who inspire me. My husband, Larry, who is the reason I am doing theatre. Every year we went to MTL's summer performances. Every year I would say, "This would be so much fun to do." Finally, one year he said to me, "Stop talking about it and do it." I auditioned and have been addicted ever since.  I returned the favor and got him into theatre later. He has such wonderful work ethics on and off stage as does the other person who inspires me, my daughter Rebecca.  She has been on stage since she was 6 months old. Even as a child she was dedicated and focused, not only in theatre, but in everything she has done from dance, theatre, school and now as a teacher. It keeps me focused to keep up with these two. I am fortunate to have their love, support and examples every day to keep me going.
BW:  That's amazing!  Alright, last question:  Number 17:   What’s one thing folks would be surprised to learn about you?
KC:  People would and have been surprised by the fact that I bowl on a league. My parents took me bowling as a child. I joined a league when I was 10 and I have been bowling ever since.


Steel Magnolias

July 12, 13, 16, 19 and 20 at 7:30 p.m.
July 21 at 3 p.m.

Wayward Actors Company at
The Bard’s Town
1801 Bardstown Road
Louisville, KY 40205

Modern Mythology and Impeccable Storytelling Meet in Derby Dinner Playhouse’s Production of Oz


Paul Kerr, Tyler Bliss, Cami Glauser and Matthew Brennan
in The Wizard of Oz. Photo – Derby Dinner Playhouse.

The Wizard of Oz

Written by L. Frank Baum with book adaption by John Kane and music by Harold Arien and lyrics by E. Y. Hamburg

Directed by Lee Buckholz, with choreography by Heather Paige Folsom and musical direction by Scott Bradley

Reviewed by Brian Walker

Entire contents are copyright ©2013 Brian Walker. All rights reserved.


The story of The Wizard of Oz is so engrained in our societies’ psyche that I dare say there are very few people that don’t know it. For me, it inspires feelings of nostalgia and of being young with my entire life in front of me. Of dreaming of something bigger. Getting away from my problems and being surrounded by people that get me. I imagine it must be the same for most people, especially considering how often the story has been told and in so many incarnations. Derby Dinner Playhouse’s current production is, in short, wonderful, and this is where the gushing on just how wonderful begins.

I will admit my bias as I love the Oz mythology. I have since I was three or four and saw the 1939 film on TV for the first time. The bias is for the story though, not the vehicle presenting it. This production is dazzling and exhilarating and the perfect way to share the theatre with a young person. It took a story I love – and can be very critical of when left in the wrong hands – and made me fall in love with it in a new way. From Dorothy’s first song, the iconic “Over the Rainbow,” I was engrossed and entertained, as was the entire full house the night I saw it. After every scene the lights would go down and the audience would literally erupt with applause of love and appreciation.  

The production kept very true to the source material of the book and the film while allowing the performers to make it their own in very subtle but effective ways. There were also some very exciting technical things that happened, most notably the tornado scene and the big scary Wizard. And the Toto!  Literally (and this coming from a man very much in love with my own dog) the cutest little thing I’ve ever seen in my entire life. Everyone’s efforts, from the director to the designers and the music to the choreographers, came together effortlessly and with great results.

Cami Glauser as Dorothy ignites the stage with each entrance and gives this wonderful sort of Judy Garland-esque performance. She was so sincere and defiant and curious, and you could tell she was having the time of her life. She managed to indicate that original iconic performance but still made it her own – and that can’t be an easy task. All of this while holding a live dog like she was born to do it. I can’t rave enough; really, she was just perfect.

Matthew Brennan, Tyler Bliss and Paul Kerr also shine as The Scarecrow, The Tin Man and The Cowardly Lion, respectively. The men were great on their own; but once the group came together, the three of them had such perfect chemistry and played off each other really well. As with Ms. Glauser, all three of them were able to capture the iconic intonations and moments from the film while still succeeding in making their own marks on the characters. Mr. Brennan’s best moment as The Scarecrow was his last with Dorothy before she clicks her heels; the tenderness was beautiful and got me all misty when they said goodbye to each other. “I think I’ll miss you most of all.”  God, that line always gets me! Mr. Bliss’s moments with The Wizard as he receives his heart were also very tender and honest and well played. Mr. Kerr’s Cowardly Lion was just a delight. His Act II “King of the Forest” was hilarious. He plays it for the laughs, and the audience loved it.

You have to have a fabulous witch if you’re going to do The Wizard of Oz, and this production has two: Lauren Leland’s Wicked Witch was delicious and terrifying; and Jillian Prefach’s Glinda was the perfect mix of glamour and nurture. An impeccable dichotomy between the two of good and evil personified.

The ensemble is also great, playing everything from winged monkeys to munchkins to the tornado itself. Everyone was a joy to watch. They gave it their all and supported their leads effectively, setting a perfect sense of place without stealing focus or upstaging the main action. The Lolly-Pop Guild were dynamite and one of my favorite moments of the evening. The audience just loved it, and I looked around and everyone had huge grins on their faces. It was just one of many fantastic moments of the evening: The Haunted Forest scene where the flying monkeys attack, The Wicked Witch’s final demise, The March of the Winkies. All of it was so much fun to watch and inspired such an intoxicating sensation of memories and reminiscings of things past that were just lovely.

This production is a great way to turn kids onto going to the theatre and inspiring so many things that don’t have anything to do with video games or going to the pool. Plus, you’d be hard pressed to find an adult who won’t find something to be inspired by or uplifted to because of it. It’s a perfect balance of story, performance, technical – everything comes together flawlessly and it was a joy from beginning to end.  

The Wizard of Oz
July 2-August 18
Derby Dinner Playhouse     
525 Marriott Drive                                                                                                    
Clarksville, IN  47129
Tickets:  $35-44 + family night discounts on Fridays and Sundays
(812) 288-8281                                                                                   
www.derbydinner.com

Tuesday, July 2, 2013

17 Questions for Kate Reedy



By Brian Walker
Entire contents are copyright © 2013, Brian Walker. All rights reserved.

Kate Reedy recently graduated from Point Park University in Pittsburgh. Originally from Louisville, she graduated from the Youth Performing Arts School with a dance major and a musical theatre minor. She has choreographed for various companies in town, including CenterStage and Music Theatre Louisville; and on top of all that she is also one of the proud Stage Managers of Abbey Road on the River. This month she’s starring in CenterStage’s production of Legally Blonde, the Musical, which is opening at the Jewish Community Center on July 11.
Brian Walker:  Thank you for participating in our 17 Questions for…
Kate Reedy:  I’m delighted!
BW:  Fabulous, we’re delighted to have you!  Here we go – Number 1:  You’re starring in CenterStage’s upcoming production of Legally Blonde, the Musical. What role are you playing and what drew you to the project?
KR:  I am cast as the fabulous Elle Woods.  I remember sitting in the audience of CenterStage's production of Evita, Into the Woods, My Fair Lady, Gypsy, just to name a few, as a little girl. The talent that I saw made me realize that someday I would be on that stage.  I was lucky enough to be able to cross that point off of my bucket list last year. CenterStage offered me not only a wonderful theatre company to work for, but also a family and a place to call home. 
BW:  Number 2:  Are you the type of actor to stay away from the film version, or have you watched it recently?
KR:  I am a firm believer in using every possible resource available at your disposal and doing your research. That being said, I don't want to copy a performance.  Every Elle will have similarities. (Why fix what ain't broke?) But I am also a firm believer in making a character your own after you have done your research.  So, to answer your question, yes, I have watched the movie, the Broadway production starring Laura Bell Bundy, and the MTV reality show Legally Blonde: The Search for Elle Woods as part of my research. But you can bet that this Elle will definitely have some twists up her pink dress sleeves. 
BW:  Number 3:  What’s been your favorite part of the rehearsal process so far?
KR:  Working with the cast and creative team. Everyone in the cast is so supportive of each other, always offering to help with anything, especially in the moral support category. And this creative team has given the entire cast the tools we need to be able to stretch our wings and really make this production soar to new heights. 
BW:  Number 4:  How does rehearsing a musical differ from rehearsing a straight play?
KR:  Well, the obvious answer is a musical has music. I have found in a straight play you have the luxury to focus only on the words and what they mean or infer to an audience. But in a musical you have to make the dialogue flow effortlessly into a song. Musicals do offer the luxury of allowing the audience more insight into the characters through music; the tone, the tempo, and the underscoring can sometimes give the audience more insight into a character than any dialogue possibly could. 
BW:  Number 5:  What’s the biggest difference between you and the character you’re playing?
KR:  I am not a natural blonde!  On a more serious note, I find this character to be the most positive and determined person I have ever met – and I do mean person.  She always tries to see the good in people and never holds anything against someone for anything they have done to her.  All points I have learned from her and definitely trying to improve upon. 
BW:  Number 6:  And what's the thing you feel most personally connected to with the character?
KR:  She's stubborn and determined. She does not give up easily and neither do I.  I will probably still be working on this character after the show closes. She will never be perfect, because no one is; she is still a human being, but she learns from her mistakes and continues on.  
BW:  Number 7:  Do you have any productions on the books for the upcoming season?
KR:  I have been offered a couple of shows at CenterStage. But I'm like Elle, who doesn't know what life has in store for her next. Life has a funny way of showing us our path when we least expect it too. We're both going to have to "find our way."
BW:  Number 8:  What’s your favorite thing about performing?
KR:  The Cast. Having the opportunity to make new friends and create a new piece of art. One of my favorite directors, Mr. William P. Bradford, once said, "Theatre is a brilliant piece of art that can never again be replicated."  And he's right. No show is ever the same twice.  We will never do this version of Legally Blonde again, and that is what makes every show I do so incredibly special. 
BW:  Number 9:  Where do you see yourself in five years?
KR:  Hopefully, still performing, but I may be old by then. We'll see what life brings my way. 
BW:  Number 10:  What’s your favorite thing about summer?
KR:  Some of my favorite roles I have performed have been in shows I have done for Summer Stock. Summer Stock is a true test of endurance. You are not only giving 150 percent, but also battling heat and humidity.  If not paced correctly, it is very easy to burn out after the first couple of shows. 
BW:  Number 11:  If you could star in any musical of your choosing, what would it be and why?
KR:  Honestly, Legally Blonde. This role, Elle Woods, has been a dream role of mine ever since I saw the show.  Her personality, her spunk, and her determination make this character really worth bringing to life. It is also a true test of a triple threat – a challenge I am always up for. 
BW:  Number 12:  Being in a musical really means you have to be a triple threat. Between acting, singing and dancing what do you find the most challenging?
KR:  Doing all three at the same time. You can practice and rehearse each individual area all you want, but until you have to perform at 150 percent singing, dancing, and acting full-out every time, you will never have the stamina or understanding for how truly incredibly talented true triple threats are and how they make it look easy. 
Kate Reedy as Mimi in Rent at CenterStage.
BW:  Number 13:  What’s been your favorite role to play up to this point?
KR:  I wouldn't say my favorite role, but my most diverse role would definitely have to be Mimi in Rent. Everyone knows she comes from a completely different background and culture than my own, along with being a drug addict and a stripper...not things I do on a daily basis or ever. So that was the challenging part to discover. But all of that is the shell of Mimi, Inside she is a hurt girl who is lost and just wants someone to love and care for her – not all that different from lots of females, including myself on occasion.
BW:  Number 14:  What advice would you give to someone looking to break into the local theatre scene?
KR:  Audition, Audition, Audition; help out backstage; and then Audition some more.  No one will ever know who you are or what you can do if you don't go out there and show them. Take every opportunity to perform and run with it.  If you don't, it may be your last. 
BW:  Number 15:  Where’s your favorite place to go in Louisville?
KR:  The movies!  I love going to see new movies that are out, especially now that some movie theaters are showing live performances from the Royal Ballet to the Met. 
BW:  Number 16:  Who is someone who inspires you and why?
KR:  Everyone who is involved in a production I am doing – that includes the cast, crew, creative team, and the musicians. Seeing everyone work incredibly hard to bring a production together only inspires me to work harder and perform to the absolute best of my ability. 
BW:  Number 17:  What’s one thing folks would be surprised to learn about you?
KR:  When I was younger I was a state ranked tennis player. My dad taught me, and I have loved playing ever since. I don't get many opportunities to play now, but when I do, my dad and I go hit.

Legally Blonde, the Musical
July 11-21, 2013
CenterStage at JCC
3600 Dutchmans Lane                                                                                                           Louisville, KY 40205
 502-459-0660
www.centerstagejcc.org